[Aztlan] Maya mensuration/metrology
Falken Forshaw
falkenforshaw at earthlink.net
Thu Dec 20 14:03:42 CST 2007
Greetings: I would like to add comment to the thread involving
possible Mayan and other Mesoamerican use of units of length
measurement (i.e. metrology):
Discussion so far seems to refer to use of a unit close to that of a
meter, which itself is close to, though different from, a pace (vara).
It is possibly also an extended arm span, nose to finger tips. There
is additional support for this unit in the design of Teotihuacan's
urban block grid, though the reference is not handy; the less-accepted
work of Hugh Harleston, also proposes a unit (the "hunaab") very
similar in length. Also, Andrjew Wiercinski proposed in the
mid-seventies (in INSTITUTUM CANARIUM, 1977) the design use of a unit
of 2.72 feet at each course perimeter of the Pyramid of the Sun at
Teotihuacan. Readers might recognize this as the unit proposed by
Alexander Thom, in his work on British stone circles (MEGALITHIC SITES
IN BRITAIN.) There is also the matter of the Pyramid of the Sun, and
another structure near it, being designed with the same footprint/base
plan as the Great Pyramid in Egypt, discussed by Peter Thompkins in
MYSTERIES OF THE MEXICAN PYRAMIDS (which also features Harleston's
work). This would involve discussion of the use of feet, cubits, and
megalithic yards at the same time, an ongoing one in pyramidology.
We can expect the survival of pre-Spanish Mesoamerican units in certain
Colonial building projects, as the Spanish employed indigenous workers
still using their traditional techniques, as well as their pre-Conquest
urban spaces. This has been referred to by Logan Wagner (dissertation:
"Open Space as a Tool of Conversion: The Syncretism of Sacred Courts
and Plazas in Post-Conquest Mexico," UT, Austin, 1996), and Margarita
Martinez del Sobral, in her work on Mesoamerican design geometry,
GEOMETRIA MESOAMERICANA (Fondo del Cultura Economica, Mexico, 2000).
She is gained this insight through restorations of Colonial convents.
This reference was contributed here earlier by Dr. Clifford Brown,
referencing a question about the Golden Proportion.
The mention of fields being sized in squares with a side of 20 paces
reminds one of the number 400 (20 squared, the number of Little Boys
mentioned in the Popol Vuh, a possible Quincunx reference through
"five-eighties".) One is similarly reminded of the number 8000 (cacao
beans in a sack). This would be twenty cubed, a volumetric
measurement, so we must accept that there are many aspects to how and
what the Maya counted, and what units they used in constructing art
objects, buildings, and site/landscape design.
In my own research, I have encountered length values very close to the
meter in use in some unexpected pre-Colonial contexts, in wall
thicknesses, for instance. While I have not conducted systematic
studies that might reveal culture-wide intentional use of dimensional
units, I think there is no doubt that systematic use of a range of
units would be of practical necessity to builders and two-dimensional
artists. Glyph block composition alone requires such design intent.
So does repeated, modular pattern on buildings, such as the median band
on the Temple of the Three Lintels at Chichen Itza, or even building
proportion itself. I currently prefer to geometrically determine
proportional and alignment design intent in the built environment than
first use published measurements; when design rules can be seen to have
been used systematically, then the units with which they were applied
can be easily determined with accurate dimensioning. Published
measurements are not universally dependable data. A project to match
this regularity with accurately measured dimensions is planned for the
coming year.
By range of values, I mean that there could have been at least two
different lengths in use by indigenous Mesoamerican peoples, using both
the width and diagonal of a square, for instance, as in traditional
Japan and Egypt. There is ample evidence too of other geometric
relationships in units being used: those of a circle and its diameter
(pecked crosses, cacao vessels, buildings); the diagonal of a
half-square (1:square root 5), exhibited in a grafitto within the
Caracol at Chichen Itza (vis Karl Ruppert's Caracol archaeology report,
CIW Publication #454, 1935); and the proportion 1x3, which has a
diagonal, for practical purposes, of pi (square root ten=3.162). The
latter shape is also depicted in the grafitto, as is an equilateral
triangle. This is discussed to some extent in my dissertation,
COSMOGRAPHY AT THE CARACOL, Chichen Itza, Yucatan, Mexico (UO, Eugene,
1984.) The proportion 1x3 can be found rather precisely in the
ground-level footprint of the playing alley at the Great Ballcourt, and
at the entrance doorways/facade at the Temple of the Owls, at Chichen
Itza. Using accurate drawings I have found Mayan use of intended
geometry to be precise enough to require the use T-Square and
triangles, and sharp pencils. A design synopsis of the Caracol's
platforms can be found at my website, www.studiofalken.com. The
Caracol's Tower and its other two buildings await the writing of a
similar design synopsis.
It seems a simple matter to determine the intended metrology standards
of the ancient Maya through study of how they made two- and
three-dimensional objects, especially large and modular ones that
display regular geometry. I look forward to comments, especially from
those who are conducting similar studies.
A Happy Shortest Day Holiday to one and all.
Thank you,
Falken Forshaw, PhD
Studiofalken
NWWL 503
3131 Western Avenue
Seattle, WA 98121
falken at studiofalken.com
www.studiofalken.com
cell: 425.343.4754
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