[Aztlan] Plaster & Echoes
David Lubman
dlubman at ix.netcom.com
Mon Sep 1 04:54:42 CDT 2008
Sam:
Some words responsive to your earlier post.
----- Original Message -----
From: "Sam Edgerton" <Samuel.Y.Edgerton at williams.edu>
To: <@williams.edu>
Sent: Tuesday, August 26, 2008 9:02 AM
Subject: [Aztlan] Plaster & Echoes
Sam Edgerton wrote:
> ... However, given the possibility that some structure
> somewhere in the Mayab did just happen to produce such an echo by accident
> (and indeed it would have aroused quite a sensation!), it is also possible
> that by careful molding of plaster surfaces over the stonework, the
> mystical sound might not only have been enhanced but the same
> acoustically
> receptive sculpted shapes repeated in other structures.
Wow! Mystical sounds! Sensational and intended acoustical effects! Sounds
replicated in other buildings!
Looks like we're now on the same team, Sam!
Many listeners at the temple of Kukulkan are endlessly amazed at the chirped
echo, though I've yet to find one able to articulate why. Notably, a few
even report what seem like numinous experiences.
Why so many unusual and strong reactions to a mere echo? My take:
This is not a normal echo. Normal echoes are replicas of their stimuli.
Experientially, it would appear as if the temple is talking to them, rather
than simply echoing back the sounds they make. That is a very unusual
auditory experience on the level of perception. It is consistent with the
reported Maya belief that their temples were living things. Listeners may
lack the vocabulary to describe that experience.
For ancient Maya familiar with the cloud forest, that particular sound would
be intelligible and seasonably appropriate. And since that sound has special
meaning in the Maya religion, it is reasonable to expect cognitive impacts
as well.
The serpent shadow itself is only a part of the light show at the spring
equinox. An impressive and spooky extra feature is that the shadow descends
at a time of day when shadows normally rise. That must have really impressed
the Maya with the power of their gods and leaders. Is it another incredible
coincidence or an incredibly ingenious design?
At that very time (spring) in the ancestral highlands, male quetzals dive
spectacularly from great heights in prenuptual flights said to be so
rapterous that witnessing them is an unforgettable experience.
The quetzal range is limited to the cloud forests, many hundreds of miles
from Chichen Itza. It would not have been found there. The temple of
Kukulkan seems to pay homage to a perceived cloud forest ancestry hundreds
of miles distant.
Could inventive Maya have created a theater of the senses here with sound
and light? Or are these simply marvelous coincidences?
Best regards,
David Lubman
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