SUMMARY:

Perhaps the most frequently used editions of the Dresden, Madrid, and Paris Codices are the drawings in J. Antonio Villacorta's and Carlos A. Villacorta's "Códices Mayas", which was published in 1930-1933 and 1976-1977 in Guatemala. These were drawn freehand by Carlos A. Villacorta, and though these drawings have received much praise for their remarkable accuracy throughout such an enormous number of pages (a little more than 200), I believe that the study of Maya glyphs has reached such a level now that the use of the Villacorta and Villacorta renditions should have become out-dated. Small drawing errors can now result in larger misunderstandings of the glyphs, both in the stems and in the grammar of the words written. My harsh judgment is probably a minority opinion, however, and the Villacorta drawings probably remain the most frequently used renditions by those who write papers about the codices. The Villacorta drawings do print well for use in these papers, and they are easy to use. But I feel one can see more, and more accurately, using the photos.

The Villacorta drawings have been some of the most accessible renditions. A reprinting of the Villacorta Dresden is available from the Aegean Park Press (P.O. Box 2837, Laguna Hills, California 92654). (No date is given for its publication; perhaps it was around 1992). A corrected or revamped version of the Villacorta Dresden appears with the Graz Dresden (1975).

Much work remains to be done in understanding the Maya Codices. The texts are often quite short, and thus appear almost cryptic. Very quickly said, the codices we now have describe astronomy, almanacs, New Year ceremonies, and prophecies, but I think the understanding of the passages in the codices is not as far along as our understanding of the content of Maya monuments. This is a bit ironic, since so many of the first inroads to our understanding of the glyphs stemmed from the calendrical passages of the codices. (There is something universal about the language of mathematics).

In writing this quick over-view of the Maya Codices and their copies (whether in facsimile or book form), I leaned heavily on the following sources:

Cooper, Roger J., (Notes provided to me on): "The Dresden Codex", "The Madrid Codex", "The Paris Codex", "The Grolier Codex", no date given, but around 1995.

Gates, William E., "The Dresden Codex", booklet with the "The Dresden Codex", The Maya Society, Baltimore, Maryland, 1932.

Porter, James B., "The Paris Screenfold", as of June, 2003, the url is: http://mayaglyphs.net/paris/paris.html.

Stuart, George E., "Introduction" in Bruce Love, "The Paris Codex: Handbook for a Maya Priest", University of Texas Press, Austin, 1994.

Stuart, George E., (Review): "Los Codices Mayas" in "Archaeoastronomy", Volume IX (1-4), pp. 164-176, College Park, Maryland, 1986.

Vail, Gabriele, "The Madrid Codex: A Maya Hieroglyphic Book", 2002, http://www.doaks.org/Pre-Columbian.html.

FAMSI is most appreciative of Randa’s historical review of the four Maya Codices. Viewers are invited to contact Randa Marhenke by e-mail: randa@armory.com

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