Quetzalcóatl. Metaphors and Images
Translation of the Spanish by Alex Lomónaco
Vea este informe en Español.
Research Year: 2000
Chronology: Preclassic to Late Classic
Location: Teotihuacán, Central México
Site: Several Sites in Mesoamerica
Table of Contents
||Metaphor of the grain and the ear
||Sacrifice and Rebirth of the Maize God among the Maya
||The Primordial Tollan and the Creation of the Cosmos, the Kingdom, and the Emblems of Power
||The Spread of the Emblem of the Feathered Serpent
||Apotheosis of Kukulkán in Chichén Itzá
||The Saga of Ce Ácatl Topiltzin Quetzalcóatl
||The Toltec Diaspora and the Worship of Ehécatl
||The Founder Myths of Mesoamerica
"Quetzalcóatl. Metáforas e imágenes" by Enrique Florescano is now in press and will be available from Taurus Publications, Santillana Group. For additional information, please visit: http://www.editorialtaurus.com/mx/libro/quetzalcoatl-y-los-mitos-fundadores-de-mesoamerica/.
It is almost a fatality that he who gets caught by one of the fugitive faces that identify Quetzalcóatl, is bound to be sentenced to remain a prisoner of that image, captured by the mystery that emanates from his inscrutable appearance, or by the ambition to unveil his nature, or by the impulse to discover the sense of his countless manifestations. At the same time, it is ineluctable that the reader of one or more of this characters appearences will end up by being an interpreter therefrom, or in other words, that sooner or later he will undertake the task of writing his or her own version of the myth.
The book readers now hold in their hands demonstrates the power of this spell. My first approach to Quetzalcóatl was written in 1963, and since then, this figure has turned into a mirage that alternatively would break up into multiple personalities or would blend with new and old images, in a way that Quetzalcóatls ghost finally turned into an inescapable presence, a challenge that led me to break the habits of a traditional historian, dominated by the paradigm of written texts as the major sources of historic knowledge. What I mean to say is that the enigmas Quetzalcóatl has forced me to face have imposed upon me the study of the myth, the image and the rite, all costumes under which the gods, the founding heroes, the charismatic ruler or the emblems of power have been depicted in Mesoamerican antiquity.
The results of this learning process have been summarized in the book. Here, a new interpretation of the central characters linked to the myth of Quetzalcóatl is offered: the creator god, the cultural hero, the founder of the primordial Tollán (Teotihuacán) and of his different manifestations: Kukulcán, Nakxit and Ce Ácatl Topiltzin Quetzalcóatl, the heroes that have established new kingdoms in the Yucatán Peninsula, the Central Plateau, the regions of Puebla and Tlaxcala, the area of Oaxaca or the Guatemalan highlands. The thesis emanating from such a revision is that the major enterprise of reorganizing the State and the political leadership typifying the Postclassic period (1100-1521), were inspired in the foundational myths that sustained Tollán-Teotihuacán, that is to say: Ehécatl, the creator god of the Fifth Sun; Tollán, the paradigmatic realm; and Quetzalcóatl, the wise ruler.
Throughout the elaboration of this book, I was given support and encouragement, for which I am grateful. In the year 2000, the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI), granted me the funds that allowed me to examine the rich bibliography accumulated around Quetzalcóatl. Dr. César Moheno, Director of the Library at the National Museum of Anthropology, has facilitated to me the access to this repository, and has provided me with copies and photographs of the documents kept there. Geney Beltrán has standardized the quotations, the notes and the bibliography. Isabel Polanco undertook the arduous task of capturing my text. Finally, I am indebted to Carmen Lira for her idea of making available the first version of this essay in a special supplement of La Jornada, published every two weeks between March and July, 2003. My deepest thanks and gratitude to all of them.
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Submitted 09/15/2003 by: